While the article is only partial, Paul covers a rather large depth, discussing the music as it relates to a digital performance and the varying methods this can be achieved by, the nature of remixing, audience participation and audio visual implementation. Paul discusses the works of Golan Levin, and his Audio-visual Environment Suite, and the manipulation of visuals and sound in real time. Pauls’ article is well researched and thorough, in its exploration of a largely specialised subject, providing a useful, if incomplete look at the area as a whole.
Paul, C., 2003. Digital art (p. 29). London: Thames & Hudson [http://www.flong.com/storage/pdf/press/2003_paul_digitalart.pdf]